Driven by a strong sense of creativity and imagination, I have always been drawn to the world of storytelling and the ever-evolving landscape of fashion. Even as a child, I found myself mesmerised by fashion magazines and television, dreaming of one day stepping into the world of modelling. My journey took a significant turn in 2022 at the Australian Wearable Art Festival, which reignited my passion and opened doors through a supportive creative community.

Growing up during the era of the Supermodels, when Kate Moss reigned supreme and her beautiful physique was the ideal, I faced criticism for my developing body, particularly my hips — a concept I later recognised as body shaming. Looking back, I’m encouraged to see the industry becoming more mindful of the impact of unrealistic body standards and the pressure to conform to ever-shifting ideals.

One of my greatest personal hurdles has been overcoming the urge to compare myself to others. I realised that comparison can stifle creativity and crush the soul, while celebrating the unique contributions of others is far more empowering. Focusing on my growth and embracing my individuality has allowed me to thrive without being weighed down by unhelpful doubts.

Mentorship has played a crucial role in my development. I’ve always valued the guidance and support of other creatives and engaging with those who inspire me as I work towards my goals. Angela Clark has long inspired me as a fashion model with her professionalism and integrity. Lynn White’s coaching helped me develop poise and confidence on the runway.

Mercy Ashie taught me the importance of setting boundaries and prioritising time with loved ones, reminding me not to let the demands of the industry overshadow personal life. Madeline Bresson has also been a constant source of encouragement, inspiring me to step forward with confidence in my modelling career. I am so thankful for the creative industry of amazing talents we have in Brisbane.

Three particularly memorable moments stand out in my journey: being featured in a magazine I had admired and hoped to be part of for years. I missed my first chance due to the passing of my Ouma, which was a deeply emotional time and a priority to be present for. When the opportunity came around again, the experience surpassed all my expectations and felt even more meaningful, making it a milestone that I cherish. When being on set, I thought of my Ouma and how she would have loved to see the result.

The second memorable moment was being selected for the Toowoomba Fashion Festival in 2024, and the group of models that journeyed together during the promotional period leading up to the event and on runway day. Rebecca Pask and Belinda Scott headed up the AF models and made it one of the most outstanding experiences of my career to date.

Lastly, as a wearable art model, that is always a very special part of my career as I get to embody the character of these pieces, bringing to life the story and vision of the designer. Each time is truly a special experience, and I am very much looking forward to the Australian Wearable Art Festival 2025!